On-site Portfolio Review
February 16 through February 16, 2004
Where: Fine Arts Center
Admission to Bowling Green State University as an art major, involves both admission to the University (University Application) and approval to the School of Art through a portfolio review. Advanced scheduled appointments are required. While it is not necessary to be fully accepted by the University at the time you schedule your portfolio review, it is recommended that your undergraduate application be on file when you come for your review. For more information on the portfolio review process or to register for an appointment see: http://www.bgsu.edu/departments/art/admissions/portfolio/portfolio.html
Contact: Sue Weisshaar
On-site Portfolio Review
December 6, 2003
Where: Fine Arts Center
Admission to Bowling Green State University as an art major, involves both admission to the University (University Application) and approval to the School of Art through a portfolio review. Advanced scheduled appointments are required. While it is not necessary to be fully accepted by the University at the time you schedule your portfolio review, it is recommended that your undergraduate application be on file when you come for your review. For more information on the portfolio review process or to register for an appointment see: http://www.bgsu.edu/departments/art/admissions/portfolio/portfolio.html or contact Susan Kozal, Coordinator of Fine Arts Admissions at 419-372-0107 or skozal@bgnet.bgsu.edu
Contact: Susan Kozal
Visiting Artist's Lecture: Johnny Coleman
December 5, 2003
Where: 6:00 pm, room 204 Fine Arts Center
Colemans sculptural sound installations engage memory and an evolving sense of place. Through specific materials, sensory and natural, he evokes landscape and ones relation to it. Coleman investigates the form of the row house, his ancestral home, as containers of history. He is a storyteller working with physical space and remembrance. In his work, history becomes poetry as fact transforms into metaphor. Johnny Coleman is currently an Associate Professor of Art in Sculpture/interdisciplinary media and African American Studies at Oberlin College. He has an MFA from the University of California at San Diego and a BFA from Otis Art Institute of the Parsons School of Design in Los Angeles. Coleman is the recipient of the 2003 Cleveland Arts Prize in Visual Arts. This event is sponsored by The Medici Circle and the Ethnic Cultural Arts Program. For more information contact Jennifer Bennett at (419) 372-0135.
Contact: Jennifer Bennett, jabenne@bgnet.bgsu.edu
The Mayor's Summit on Arts, Education and Technology presents Richard Florida on
November 14, 2003
Where: 12:00 pm, Peristyle, Toledo Museum of Art
ida, H. John Heinz III Professor of Economic Development at Carnegie Mellon University, is the author of The Rise of the Creative Class: And How Its Transforming Work, Leisure Community and Everyday Life published by Basic Books in June 2002. The book has been widely acclaimed for showing how the most profound changes in our workplace, culture and everyday lives result from the rise of creativity as an economic force. The author of five other books, he has been a visiting professor at MIT and Harvard University's John F. Kennedy School of Government. Co-sponsors include The Office of the Mayor of Toledo; BGSU: Office of the President, the Graduate College, the College of Arts and Sciences, the College of Musical Arts, the Department of Theater and Film and the Medici Circle of the School of Art; University of Toledo: Office of the President; Toledo-Lucas County Port Authority; Owens Community College; Blade Foundation and Buckeye CableSystem; Regional Growth Partnership and Regional Technology Alliance; Dana Corporation; Owens Corning; Toledo Museum of Art; 5th3rd Bank, Lourdes College, Key Bank, Downtown Toledo, Inc.
Contact: Katerine Ruedi Ray
Artist's Talk: Stephen Talasnik
November 13, 2003
Where: 7:30- 9:00 pm, Room 117, Olscamp Hall
Stephen Talasnik is inspired by architecture and engineering. Ranging from drawings, sculptures, and recently small scale architectural constructions, Stephen Talasnik's work has addressed representations of space, time and history. His drawings form part of major international collections including the British Museum, the Albertina in Vienna, the National Museum of American Art in Washington, and the Fogg Art Museum in Cambridge, Massachusetts. Co-sponsors include: The BGSU College of Arts and Sciences; the Medici Circle of the School of Art; the Drawing, Painting, Printmaking, and Sculpture areas of the School of Art; the Graphic Design Division; Office of the Provost and Academic Affairs.
Contact: Shawn Morin
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